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So I checked my Hard drive, and I had about 350GB free. I have my OS and apps on the SSD, with all the data (like giant recording files) on the HDD. What the heck? In case you missed it, I have a 750GB spinning hard drive (named fatso), AND a 60GB SSD (named speedy) in my MacBook Pro. I still had the live audience with me, and they saw me cringe when GarageBand said I didn’t have enough disk space to let the automatic normalization be performed on export. Fingers and toes crossed on this! Disappearing Disk SpaceĪt the end of last week’s live show, when I’d finished all the recording bits, I told GarageBand to export the uncompressed file.
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This has been a great solution, and as long as I can keep the Mac and the iPhone next to each other on stage, it should work. He was able to pair it just fine, but I had a lot of trouble with that, so we decided since we needed to get the sound from both the iPhone and the Mac into both mics, we’d just use the included audio cable. It works over Bluetooth, and Steve has been loving using it with his iPhone. It’s about 6 inches long and gives amazing sound – up to 85db which they say is more than a motorcycle. The Jambox is a very small wireless speaker. We noodled it for a bit and then realized we could use his new Jambone Jambox. The problem with the iPhone is that it’s very very quiet, AND when held naturally in my hands it’s at 90 degrees from the input for the microphones. We’ll set that right beside the room audio mic. Steve will be using his remote mic rig where he has a receiver plugged into the hot shoe of his camcorder, and I have a remote mic hooked to a transmitter that I’ll keep with me on stage.
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One tricky bit was how to get the audio from the iPhone into the microphone for the recording and for the room audio. We’ve worked on audio to make sure you’ll be able to hear everything and see the demonstration. A lot of people have asked if it’s going to be recorded, and I assure you Steve will be recording the whole thing. Now I’m excited and really looking forward to it. I guess I’m glad they didn’t tell me how hard it was before I started or I’d never have tried it.
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One funny thing has come out of this – the same guys who were all full of encouragement and words like, “it’s EASY, Allison…” are now coming out saying things like, “you are so brave”. It was such an exhilarating feeling when suddenly I was able to actually experiment and explore with my eyes closed, rather than being filled with dread whenever I practiced my rudimentary script. Two weeks ago I was fearful that I’d never get the hang of it, but then my blind friends came to my rescue and helped me get over the hump. This has been a fascinating journey filled with equal doses of hope and disappointment. If you’re coming to the show, I sure hope you can come see it and cheer me on, it’s at 11am on Thursday. We’re two weeks away from Macworld | iWorld and I think I might actually be just about ready for my Blindfolded! Tech Talk. Today is Sunday January 15th, 2012 and this is show number 348. Hi this is Allison Sheridan of the NosillaCast Mac Podcast, hosted at, a technology geek podcast with an EVER so slight Macintosh bias.
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In Chit Chat Across the Pond Knightwise from explains why he walked into the Apple walled garden of his own free will. Listener Lynn asks a Dumb Question – how to keep applications in the dock where they can’t be accidentally removed and we talk about the free Dashboard app Dock Unlocker from joselopez650.tk. MacHash from brings Mac-specific news and podcasts to the iPod, iPhone, iPad and Mac. Ken Wolfe gives us part one of his “Super Speed Project Management using IOS and Mac Apps and Apple products” – using SimpleNote from Codality INC, Notational Velocity, and Noteshelf from Rama Krishna at. Knightwise explains how he uses GoodReader to move Keynote into his iPad instead of iCloud.
Reggie Ashworth offers up 5 free copies of AppDelete Lite. Using OmniDiskSweeper from The Omni Group I recover 20GB of lost disk space due to an arrange application. Blindfolded is coming along, Jawbone Jambox will be a critical element to the audio.
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